Selection of writing for, with, & about good friends
Momus, 7 February 2023
Feature article on the exhibition goodtime at the Plumb, October-November 2022, curated by goodwater gallery
For the ancient Greeks, the division of time was represented by a separation of chronos from kairos. To symbolize durational or cyclical time, Greco-Roman mosaics personified chronos as a god turning the zodiac wheel. In contradiction, kairos—from keirein, to cut—signaled change, crisis, and compression, the moment a shuttle passes through thread on a loom. [continue reading]
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HaeAhn Kwon, "Credit Card - VISA," 2018.
Materials: Terms of Endearment
Support, Winter 2021
To culminate a collaboration of three exhibitions: Terms of Endearment, Dancing with Tantalus, and Greener than Grass, I designed a riso-publication for Support’s Materials series that pulls together associated texts written by Lillian, Simon Fuh, Nic Wilson, and Jillian Groening alongside a variety of, well, other materials.
Thank you to Tegan Moore and VidePress. Please contact me if you would like a special riso-copy.
Download PDF
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Buy a beautiful hardcopy of the 2020-2021
Download PDF
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[images by Alison Postma]
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I’m on Fire
exhibition text commissioned by Jessica Groome and Aleksandra Bielas
Spoiler Zone Berlin, January 2020
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Ken Lum: in Correspondence
moire 5, 2019
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Laura Findlay: The Shortsighted Can’t Love Mountains
Aresenal Toronto/Montreal, 2019
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The Smoker
“Smoke: Figures, Genres, Forms”
Public Journal, 29.58, Winter 2018
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Kathleen Ritter: The Pickpocket and the Sloth
Open Studios, 2017
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Jessica Groome: Soft Glove
Erin Stumps Projects, 2017
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Tiziana LaMelia: in Conversation
moire 4, 2016
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Amy Brener: Crusty Crunchy Roundy Smoothy
moire 2, 2014
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